Nineteenth-century Britain was a world in play.
The Victorians invented the weekend and built hundreds of parks and playgrounds. In the wake of Darwin, they re-imagined nature as a contest for survival. The playful child became a symbol of the future. A world in play means two things: a world in flux and a world trapped, like Alice in Wonderland, in a ludic microcosm of itself.
The book explores the extent to which play competition, leisure, mischief, luck, festivity, imagination pervades nineteenth-century literature and culture and forms the foundations of the modern self. Play made the Victorian world cohere and betrayed the illusoriness of that coherence.
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P46 G76 Unknown. More options. Find it at other libraries via WorldCat Limited preview.
Bibliography Includes bibliographical references p. Contents List of illustrations-- 1. Introduction-- 2.
Wordsworthian Afterlives and Photographic Nostalgia-- 4. Scott, Technology, and Nostalgic Reinvention-- 5. Cameron, Tennyson, and the Luxury of Reminiscing-- 7.
http://argo-karaganda.kz/scripts/fygyqofe/24.php Afterword-- Bibliography. The possibility of arresting time was the symbolic currency of all those in the business of selling poetry to a wider audience through popular forms such as the gift books, travel guides, magic lantern shows, working men's editions of verse, celebrity portraits, memorabilia, and mementos. Play made the V Play made the Victorian world cohere and betrayed the illusoriness of that coherence.
This is the paradox of modernity. In so doing, they discovered the art of modern life.
Please create a new list with a new name; move some items to a new or existing list; or delete some items. Afterwards, athletics and 'good form', morals, respectability, and religion came to dominate their lives, to the detriment not only of freedom, as Strachey complained, but also of learning. However, formatting rules can vary widely between applications and fields of interest or study. It was also associated with ideas about race; it was the burden of the white race to govern lesser races, expressed by Rudyard Kipling 's "Take up the White Man's burden. Nonetheless, the Victorian gentleman was still a Romantic at heart, deeply embedded in rose-tinted medieval notions of chivalry and kinght-errantry. Mason p 16 points it out as well and stated that the latter was devoid of class connotations: everyman could aspire to it, provided he adhered to the set code of manners advocating honour, charity and social responsibility. Matthew Kaiser, author More Less.
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